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Kat. #BO-5931  ·  B-NOTE
Editions & prices
DEBUSSY, Claude

La Mer

Three symphonic sketches
B-Note says:“Debussy's "La Mer" abandons narrative in favor of atmospheric sketches that captured the sea's essence — and defined symphonic impressionism once and for all.”
Opus
CD.111
Composed
1905/rev. 1908
Duration
ca. 24:00 min
First publisher
Durand, Paaris, 1909
Instrumentation
2+1.2+1.2.3+1 / 4.3+2.3.1 / timp, perc, 2 hp, str i
Woodwinds
Flutes2+1
Oboes2+1
Clarinets2
Bassoons3+1
Brass
Horns4
Trumpets3+2
Trombones3
Tuba1
Further timp Timpani · perc Percussion · 2 hp 2 × Harp · str Strings
+1 = additional player on an auxiliary instrument (e.g. piccolo, cor anglais, bass clarinet, contrabassoon)
Orchestra
Symphony orchestra
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Revision 1909

De l’aube a midi sur la mer / Jeux de Vagues / Dialogue du Vent et de la Mer

Debussy's "La Mer" is considered a masterpiece of musical Impressionism and marks a turning point in orchestral music of the early modern era. With revolutionary tonal colors and a completely new treatment of the orchestral apparatus, the composer created a work that blurs the boundaries between programmatic and absolute music. The three symphonic sketches eschew narrative development in favor of a flowing, atmospheric musical language that captures the sea in its various moods.

The innovative orchestration employs subtle color blending and floating harmonies that are characteristic of Debussy's mature style. Pentatonic scales, whole-tone scales, and floating chord structures create that impressionistic sound world that makes the work one of the most influential orchestral pieces of the modern era. The sophisticated treatment of the winds and the virtuosic play with orchestral textures show Debussy at the height of his powers.

"La Mer" stands as an exemplar of French music around 1900, which consciously sought to distinguish itself from the German late-Romantic tradition. The work is said to have initially caused confusion at its 1905 premiere, but quickly established itself as a milestone of orchestral art and left a lasting influence on subsequent generations of composers.

„I have countless memories of the sea; to me they are more precious than anything reality has to offer.“
— Brief an Jacques Durand, 1908
„This is not descriptive music in the ordinary sense of the word, but music that reveals the mysterious correspondences between nature and imagination.“
— Louis Laloy, La Grande Revue, 1905
Date
15. Oktober 1905
Venue
Paris, Concerts Lamoureux
Conductor
Camille Chevillard
Orchestra
Orchestre Lamoureux
The premiere was a failure with both audiences and critics. Many listeners found the work too impressionistic and incomprehensible. One critic mockingly remarked that he heard more "hot air" than the sea. Debussy subsequently revised the work from 1908-1910, and this revised version became the standard.

Editions available

Item no. Description Price (incl. 7% VAT)
BO-5931.00Full score
Durand, Paris, 1909
€ 49,80
BO-5931.01Large conductor's score A3
Durand, Paris, 1909
€ 85,00
BO-5931.10Set of parts with strings 5.4.3.2.2
Durand, Paris, 1909
€ 279,00
🎵 Digital options

Digital parts for this edition are not yet available. Please log in to request digitization.

BO-5931.21Extra Str. Vl.1€ 6,80
BO-5931.22Extra Str. Vl.2€ 6,80
BO-5931.23Extra Str. Va.€ 6,80
BO-5931.24Extra Str. Vc.€ 6,80
BO-5931.25Extra Str. Bass€ 6,80

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