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Kat. #BO-5116  ·  B-NOTE
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SMYTH, Ethel

The Wreckers - Overture

B-Note says:“The overture to The Wreckers conjures the grim trade of Cornish wreckers in richly layered late-Romantic orchestral colours.”
Duration
ca. 9:45 min
First publisher
Breitkopf & Härtel, Leipzig, 1911
Instrumentation
2D1+1.2+1.2+1.2+1 / 4.2.3.1 / timp, perc, org, hp, str i
Woodwinds
Flutes2D1+1
Oboes2+1
Clarinets2+1
Bassoons2+1
Brass
Horns4
Trumpets2
Trombones3
Tuba1
Further timp Timpani · perc Percussion · org Organ · hp Harp · str Strings
+1 = additional player on an auxiliary instrument (e.g. piccolo, cor anglais, bass clarinet, contrabassoon)
d = doubling, e.g. 2d1: one of the two players also plays the auxiliary instrument
Orchestra
Symphony orchestra
Your orchestra Available to registered customers only i Your orchestra Save your orchestra’s line-up once – by drag & drop or from a template, from chamber to full symphony orchestra. Fits – no extra players needed Nearly – additionally: 1 harp 5 extra players needed Every work page then shows at a glance whether the work fits your orchestra and which extra players you would need. Several orchestras and project line-ups are possible. The catalogue is aimed at orchestras and ensembles – once logged in, the feature is available under "My orchestra". Log in →

Dame Ethel Smyth ranks among the most significant British composers of the late Romantic period and was one of the first women to achieve international recognition as an opera composer. Her opera "The Wreckers" was composed between 1904 and 1906 and is considered her principal work for the stage. The dramatic overture introduces the dark world of Cornish coastal inhabitants who cause shipwrecks in order to plunder the wreckage.

Smyth's musical language combines late Romantic harmony with a powerful, sometimes harsh orchestral sound that is clearly influenced by German models such as Wagner and Brahms. The composer studied at the Leipzig Conservatory and maintained close contacts with the German music scene. Her orchestral treatment displays remarkable richness of color and dramatic intensity that transcends the conventional British musical traditions of her time.

The overture is intended to anticipate all the essential dramatic elements of the opera and to impress through its atmospheric density. Smyth's compositional output stands as an example of the awakening of an independent British operatic culture at the beginning of the 20th century, even though her music stylistically remains firmly rooted in continental European late Romanticism.

Date
1905
Venue
London
The overture to 'The Wreckers' premiered before the complete opera. The opera itself was first performed in German translation as 'Strandrecht' in Leipzig in 1906, before being staged in its original English. Smyth was among the first women to gain international recognition as an opera composer.

Also premiered in 1905

Editions available

Item no. Description Price (incl. 7% VAT)
BO-5116.00Full score
Breitkopf & Härtel, Leipzig, 1911
€ 24,80
BO-5116.01Large conductor's score A3
Breitkopf & Härtel, Leipzig, 1911
€ 54,80
BO-5116.10Set of parts with strings 5.4.3.2.2
Breitkopf & Härtel, Leipzig, 1911
€ 159,00
🎵 Digital options

Digital parts for this edition are not yet available. Please log in to request digitization.

BO-5116.21Extra Str. Vl.1€ 4,50
BO-5116.22Extra Str. Vl.2€ 4,50
BO-5116.23Extra Str. Va.€ 4,50
BO-5116.24Extra Str. Vc.€ 4,50
BO-5116.25Extra Str. Bass€ 4,50

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