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Kat. #BO-5093  ·  B-NOTE
Editions & prices
ALBÉNIZ, Isaac

Evocation (Iberia suite Nr.1 / orch. Arbos)

B-Note says:“Arbós's 1908 orchestration stands as a landmark of Spanish national music, bridging late Romantic tradition and early modernism.”
Opus
T.105
Composed
1908
Duration
ca. 5:00 min
First publisher
1928, Max Eschig, Paris
Instrumentation
2+1.2+1.2+1.2 / 4.2.3.0 / timp, perc, hp, str i
Woodwinds
Flutes2+1
Oboes2+1
Clarinets2+1
Bassoons2
Brass
Horns4
Trumpets2
Trombones3
Tuba0
Further timp Timpani · perc Percussion · hp Harp · str Strings
+1 = additional player on an auxiliary instrument (e.g. piccolo, cor anglais, bass clarinet, contrabassoon)
Orchestra
Symphony orchestra
Your orchestra Available to registered customers only i Your orchestra Save your orchestra’s line-up once – by drag & drop or from a template, from chamber to full symphony orchestra. Fits – no extra players needed Nearly – additionally: 1 harp 5 extra players needed Every work page then shows at a glance whether the work fits your orchestra and which extra players you would need. Several orchestras and project line-ups are possible. The catalogue is aimed at orchestras and ensembles – once logged in, the feature is available under "My orchestra". Log in →
All five Iberia orchestrations by Enrique Fernández Arbós (1863–1939) available: Evocation / El Corpus en Sevilla / Triana / El puerto / El Albaicin

Evocation opens Albéniz's masterful piano suite Iberia, written during the final years of his life when the Spanish composer had reached full artistic maturity. Originally conceived for piano, this evocative piece captures the essence of Spanish musical traditions through sophisticated harmonic language that bridges late Romanticism and early modernism. Albéniz weaves together folk melodies, flamenco rhythms, and impressionistic harmonies to create a distinctly Spanish sound world.

The orchestration by Enrique Fernández Arbós transforms Albéniz's intricate piano writing into rich orchestral colors. Arbós, himself a distinguished Spanish musician, understood the idiomatic character of the original and successfully translated its intimate piano textures into the broader palette of the symphony orchestra. His arrangement preserves the work's contemplative, nostalgic character while allowing its Spanish flavor to emerge through varied instrumental timbres.

As part of the Iberia suite, Evocation represents the pinnacle of Spanish nationalist composition in the early 20th century. The work demonstrates Albéniz's unique ability to combine genuine Spanish folk elements with contemporary European compositional techniques, creating music that is both authentically regional and universally appealing. This synthesis of tradition and modernity established a model for subsequent generations of Spanish composers.

Date
2. Juni 1908
Venue
Paris, Théâtre du Châtelet
Conductor
Enrique Fernández Arbós
Orchestra
Orchestre Lamoureux
The orchestration of 'Evocation' by Enrique Fernández Arbós took place shortly after Albéniz's death in May 1909, which meant the premiere occurred during the composer's lifetime. Arbós was a close friend of Albéniz and had received his permission to orchestrate parts of the Iberia Suite, originally composed for piano.

Editions available

Item no. Description Price (incl. 7% VAT)
BO-5093.00Full score
1928, Max Eschig, Paris
€ 19,80
BO-5093.01Large conductor's score A3
1928, Max Eschig, Paris
€ 49,80
BO-5093.10Set of parts with strings 5.4.3.2.2
1928, Max Eschig, Paris
€ 110,00
🎵 Digital options

Digital parts for this edition are not yet available. Please log in to request digitization.

BO-5093.21Extra Str. Vl.1€ 4,00
BO-5093.22Extra Str. Vl.2€ 4,00
BO-5093.23Extra Str. Va.€ 4,00
BO-5093.24Extra Str. Vc.€ 4,00
BO-5093.25Extra Str. Bass€ 4,00

Sample pages

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