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Kat. #BO-5096  ·  B-NOTE
Editions & prices
ALBÉNIZ, Isaac

Triana (Iberia suite Nr.3 / orch. Arbos)

B-Note says:“In 1928, Arbós transplanted the ornamental melodic lines and Andalusian folk idioms of the piano original onto a full orchestra while preserving its intimate character.”
Opus
T.105
Composed
1908
Duration
ca. 5:20 min
First publisher
1928, Max Eschig, Paris
Instrumentation
3D1.2+1.2+1.3 / 4.3.3.1 / timp, perc, 2 hp, cel, str i
Woodwinds
Flutes3D1
Oboes2+1
Clarinets2+1
Bassoons3
Brass
Horns4
Trumpets3
Trombones3
Tuba1
Further timp Timpani · perc Percussion · 2 hp 2 × Harp · cel Celesta · str Strings
+1 = additional player on an auxiliary instrument (e.g. piccolo, cor anglais, bass clarinet, contrabassoon)
d = doubling, e.g. 2d1: one of the two players also plays the auxiliary instrument
Orchestra
Symphony orchestra
Your orchestra Available to registered customers only i Your orchestra Save your orchestra’s line-up once – by drag & drop or from a template, from chamber to full symphony orchestra. Fits – no extra players needed Nearly – additionally: 1 harp 5 extra players needed Every work page then shows at a glance whether the work fits your orchestra and which extra players you would need. Several orchestras and project line-ups are possible. The catalogue is aimed at orchestras and ensembles – once logged in, the feature is available under "My orchestra". Log in →
All five Iberia orchestrations by Enrique Fernández Arbós (1863–1939) available: Evocation / El Corpus en Sevilla / Triana / El puerto / El Albaicin

Isaac Albéniz's "Triana" represents one of the most vivid musical portraits of Andalusian life from his monumental piano suite "Iberia." Named after the historic gypsy quarter of Seville, this piece captures the intoxicating atmosphere of flamenco culture through Albéniz's sophisticated harmonic language. The composer's revolutionary approach combines Spanish folk elements with impressionistic techniques, creating a soundworld that influenced an entire generation of Spanish composers.

Originally conceived for piano in 1908, "Triana" showcases Albéniz's mastery in translating the percussive nature of flamenco guitar into keyboard textures. The piece pulses with complex rhythmic patterns and modal harmonies that evoke the passionate dance forms of southern Spain. Albéniz's use of chromatic harmonies and unexpected modulations reflects his absorption of French impressionist techniques during his years in Paris.

Enrique Fernández Arbós's orchestration transforms the original's intricate piano writing into a rich tapestry of orchestral colors. His arrangement, created by the renowned Spanish conductor and violinist, preserves the work's essential character while exploiting the full palette of the modern orchestra. The orchestral version has become a staple of Spanish concert repertoire, allowing audiences to experience the full sensual impact of Albéniz's musical evocation of Andalusian culture.

Editions available

Item no. Description Price (incl. 7% VAT)
BO-5096.00Full score
1928, Max Eschig, Paris
€ 22,80
BO-5096.01Large conductor's score A3
1928, Max Eschig, Paris
€ 54,80
BO-5096.10Set of parts with strings 5.4.3.2.2
1928, Max Eschig, Paris
€ 135,00
🎵 Digital options

Digital parts for this edition are not yet available. Please log in to request digitization.

BO-5096.21Extra Str. Vl.1€ 4,50
BO-5096.22Extra Str. Vl.2€ 4,50
BO-5096.23Extra Str. Va.€ 4,50
BO-5096.24Extra Str. Vc.€ 4,50
BO-5096.25Extra Str. Bass€ 4,50

Sample pages

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