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Kat. #BO-5828  ·  B-NOTE
Editions & prices
B-Note says:“With Don Juan, the 25-year-old Strauss established himself as a leading figure of German late Romanticism.”
Opus
op.20 / TrV 156
Composed
1889
Duration
ca. 18:00 min
First publisher
Aibl, München, 1890
Instrumentation
3D1.2+1.2.2+1 / 4.3.3.1 / timp, perc, hp, str i
Woodwinds
Flutes3D1
Oboes2+1
Clarinets2
Bassoons2+1
Brass
Horns4
Trumpets3
Trombones3
Tuba1
Further timp Timpani · perc Percussion · hp Harp · str Strings
+1 = additional player on an auxiliary instrument (e.g. piccolo, cor anglais, bass clarinet, contrabassoon)
d = doubling, e.g. 2d1: one of the two players also plays the auxiliary instrument
Orchestra
Symphony orchestra
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Richard Strauss's tone poem "Don Juan" marks the artistic breakthrough of the 25-year-old composer and established him as a leading figure of German late Romanticism. The work already displays that characteristic combination of virtuosic orchestral technique and dramatic expressiveness that would define Strauss's entire output. With its brilliant orchestration and bold harmonic turns, it transcends the boundaries of traditional program music.

The score reveals Strauss's mastery in handling the late Romantic large orchestra. Passionate string melodies alternate with virtuosic wind passages, while the expanded percussion section contributes additional tone colors. The music shifts between rapturous lyricism and dramatic intensification, with Strauss already developing those orchestral effects that would later distinguish his operas.

"Don Juan" is considered a turning point in the history of the tone poem and is said to have caused a great sensation at its premiere in Weimar. The work stands as exemplary of German musical culture around 1890, which sought a path between Wagnerian tradition and a new, more modern musical language.

„I didn't want to portray the literary hero who has been set to music so many times before, but rather to depict the archetypal figure of the eternal seeker, restlessly striving, never satisfied.“
— Richard Strauss, zitiert in Franz Trenner: Richard Strauss. Werkverzeichnis
„This is music of enchanting sensuality and demonic power... The orchestration displays stupendous virtuosity.“
— Eduard Hanslick, Neue Freie Presse, Wien 1890
Date
11. November 1889
Venue
Weimar, Hoftheater
Conductor
Richard Strauss
Orchestra
Hofkapelle Weimar
Don Juan was one of the first works that established Strauss's reputation as a composer and cemented his standing as a leading exponent of the symphonic poem. The work was based on a fragment by Nikolaus Lenau and marked Strauss's second symphonic poem after 'From Italy'. The premiere was a tremendous success and established the then 25-year-old Strauss as a major composer of his generation.

Editions available

Item no. Description Price (incl. 7% VAT)
BO-5828.00Full score
Aibl, München, 1890
€ 39,80
BO-5828.01Large conductor's score A3
Aibl, München, 1890
€ 69,00
BO-5828.10Set of parts with strings 5.4.3.2.2
Aibl, München, 1890
€ 120,00
🎵 Digital options

Digital parts for this edition are not yet available. Please log in to request digitization.

BO-5828.21Extra Str. Vl.1€ 4,00
BO-5828.22Extra Str. Vl.2€ 4,00
BO-5828.23Extra Str. Va.€ 4,00
BO-5828.24Extra Str. Vc.€ 4,00
BO-5828.25Extra Str. Bass€ 4,00

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