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Kat. #BO-6589  ·  B-NOTE
Editions & prices
ROUSSEL, Albert

Le festin de l'araignée

Fragments symphoniques
B-Note says:“In "The Spider's Garden," a cosmos of insect dances, quiet transience, and otherworldly orchestral poetry comes to life.”
Opus
op.17, L.19
Composed
1912-13
Duration
ca. 15:30 min
First publisher
1913, Durand, Paris
Instrumentation
2D1.2D1.2.2 / 2.2.0.0 / timp, perc, hp, cel, str i
Woodwinds
Flutes2D1
Oboes2D1
Clarinets2
Bassoons2
Brass
Horns2
Trumpets2
Trombones0
Tuba0
Further timp Timpani · perc Percussion · hp Harp · cel Celesta · str Strings
d = doubling, e.g. 2d1: one of the two players also plays the auxiliary instrument
Orchestra
Symphony orchestra
Your orchestra Available to registered customers only i Your orchestra Save your orchestra’s line-up once – by drag & drop or from a template, from chamber to full symphony orchestra. Fits – no extra players needed Nearly – additionally: 1 harp 5 extra players needed Every work page then shows at a glance whether the work fits your orchestra and which extra players you would need. Several orchestras and project line-ups are possible. The catalogue is aimed at orchestras and ensembles – once logged in, the feature is available under "My orchestra". Log in →
1. Prélude
2. Entrée des fourmis
3. Danse du Papillon
4. Eclosion et danse de l'Éphémère
5. Funérailles de Éphémère
6. La nuit tombe sur le jardin solitairec

Albert Roussel's “Le festin de l'araignée” (The Spider's Banquet) was composed in 1912–13 as a ballet score and is presented here in its version as symphonic fragments. The work belongs to the context of French Impressionism, yet with its rhythmic incisiveness and harmonic astringency it perceptibly moves beyond the sound world of Debussy. Roussel, who had been a naval officer before embarking on a musical career and who throughout his life maintained a fondness for subjects drawn from nature and the exotic, finds here a wholly distinctive musical voice.

The score conjures the life of a garden in fascinating miniature detail — insects, dance, and quiet passing away. The orchestral sound is at once delicate and precise: harp, celesta, and finely differentiated strings create atmospheric transparency, while woodwinds and percussion provide pointed accents. The music breathes impressionistic colour, yet already displays those neoclassical contours that would come to define Roussel's later output.

“Le festin de l'araignée” is considered one of Roussel's most accessible and at the same time most characteristic works — a masterpiece of French orchestral writing from the early modern period that unites elegance and nature poetry with an unobtrusive compositional rigour.

Date
3. April 1913
Venue
Paris, Théâtre des Arts
Conductor
Pierre de Bréville
Orchestra
Orchester des Théâtre des Arts
"Le festin de l'araignée" was originally composed as a ballet score for a work of the same name, based on a scenario by the writer Gilbert de Voisins. The story follows a spider preparing a feast from captured insects, until she herself is killed by a praying mantis. Roussel soon reworked the score into a concert suite for orchestra (op. 17), which to this day is performed far more frequently than the complete ballet. The premiere of the ballet version took place at the Théâtre des Arts in Paris, which under the direction of Jacques Rouché had become an important champion of new French works for the stage.

Editions available

Item no. Description Price (incl. 7% VAT)
BO-6589.00Full score
1913, Durand, Paris
€ 34,80
BO-6589.01Large conductor's score A3
1913, Durand, Paris
€ 65,00
BO-6589.10Set of parts with strings 5.4.3.2.2
1913, Durand, Paris
€ 172,00
🎵 Digital options

Digital parts for this edition are not yet available. Please log in to request digitization.

BO-6589.21Extra Str. Vl.1€ 6,40
BO-6589.22Extra Str. Vl.2€ 6,40
BO-6589.23Extra Str. Va.€ 6,40
BO-6589.24Extra Str. Vc.€ 6,40
BO-6589.25Extra Str. Bass€ 6,40

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