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Kat. #BO-5108  ·  B-NOTE
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RACHMANINOW, Sergei

Symphony No.1

B-Note says:“Rachmaninoff's graduation piece from the Moscow Conservatory weaves Western European symphonic tradition together with Russian Romantic melodic sweep and rich chromaticism.”
Opus
op.13
Key
D minor
Composed
1895
Duration
ca. 45:00 min
First publisher
1947, Muzgiz, Moskau / ass. Boosey & Hawkes, London
Can be combined with i Can be combined with This reprint edition is based on the same editorial source as the editions listed here. The materials can therefore be combined with one another.
Kalmus A5182
Instrumentation
3D1.2.2.2 / 4.3.3.1 / timp, perc, str i
Woodwinds
Flutes3D1
Oboes2
Clarinets2
Bassoons2
Brass
Horns4
Trumpets3
Trombones3
Tuba1
Further timp Timpani · perc Percussion · str Strings
d = doubling, e.g. 2d1: one of the two players also plays the auxiliary instrument
Orchestra
Symphony orchestra
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Rachmaninoff's First Symphony was composed in 1895 as the culminating work of his student years at the Moscow Conservatory and already displays the characteristic features of his later musical language. The work in D minor breathes the somber, melancholic spirit of Russian Romanticism and combines Western European symphonic tradition with the typically Russian inclination toward broad melodic arcs and orchestral splendor. The dense, chromatically colored harmony and the often passionately erupting emotionality point toward the mature Rachmaninoff.

Stylistically, the symphony stands between Tchaikovsky and the young Scriabin, though Rachmaninoff's own distinctive voice is already unmistakable. The orchestration demonstrates his mastery in handling the various instrumental groups, particularly in the characteristic, often melancholic woodwind solos and the powerful brass tuttis.

The 1897 premiere under Alexander Glazunov is said to have been unsuccessful, which must have deeply affected the young composer. The work was long considered lost until the score was rediscovered decades later. Today the symphony is valued as an important testimony to Rachmaninoff's early creative period.

„If there were a conservatory in hell, and if one of its most talented students were assigned to write program music on the theme of the Seven Plagues of Egypt, and if he fulfilled his task with the same talent and success as Mr. Rachmaninoff did with his symphony, then he would create a work that would bear a striking resemblance to that very symphony.“
— César Cui, Kritik in der St. Petersburger Zeitung nach der Uraufführung 1897
„After this fiasco I fell silent for three years. I couldn't compose anything. No matter how hard I tried, I couldn't grasp or develop any musical ideas.“
— Sergei Rachmaninow in einem Interview mit Oskar von Riesemann, dokumentiert in der Biographie 'Rachmaninoff's Recollections' (1934)
Date
15. März 1897
Venue
Sankt Petersburg, Großer Saal des Konservatoriums
Conductor
Alexander Glasunow
Orchestra
Orchester des Sankt Petersburger Konservatoriums
The premiere was a catastrophic failure that traumatized Rachmaninoff so severely he suffered from a debilitating writer's block for three years. Glazunov allegedly conducted poorly prepared or even while intoxicated. The reviews were scathing, and Rachmaninoff himself later described the performance as badly conducted. The work subsequently disappeared from concert programs for decades.

Editions available

Item no. Description Price (incl. 7% VAT)
BO-5108.00Full score
1947, Muzgiz, Moskau / ass. Boosey & Hawkes, London
€ 100,00
BO-5108.01Large conductor's score A3
1947, Muzgiz, Moskau / ass. Boosey & Hawkes, London
€ 149,00
BO-5108.10Set of parts with strings 5.4.3.2.2
1947, Muzgiz, Moskau / ass. Boosey & Hawkes, London
€ 620,00
🎵 Digital options

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BO-5108.21Extra Str. Vl.1€ 22,80
BO-5108.22Extra Str. Vl.2€ 22,80
BO-5108.23Extra Str. Va.€ 22,80
BO-5108.24Extra Str. Vc.€ 22,80
BO-5108.25Extra Str. Bass€ 22,80

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