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Kat. #BO-5084  ·  B-NOTE New edition
Editions & prices
GERSHWIN, George

An American in Paris (urtext)

New edition of the original version
B-Note says:“An American in Paris stands as the most distinctive and enduring testament to the deliberate emancipation of an American orchestral voice from its European models.”
Composed
1928
Duration
ca. 16:00 min
Publisher
B-Note Musikverlag, 2013
Instrumentation
2+1.2+1.3.2 / 4.3.3.1 / timp, 7 perc, 3 sax, cel, str i
Woodwinds
Flutes2+1
Oboes2+1
Clarinets3
Bassoons2
Brass
Horns4
Trumpets3
Trombones3
Tuba1
Further timp Timpani · 7 perc 7 × Percussion · 3 sax 3 × Saxophone · cel Celesta · str Strings
+1 = additional player on an auxiliary instrument (e.g. piccolo, cor anglais, bass clarinet, contrabassoon)
Orchestra
Symphony orchestra
Your orchestra Available to registered customers only i Your orchestra Save your orchestra’s line-up once – by drag & drop or from a template, from chamber to full symphony orchestra. Fits – no extra players needed Nearly – additionally: 1 harp 5 extra players needed Every work page then shows at a glance whether the work fits your orchestra and which extra players you would need. Several orchestras and project line-ups are possible. The catalogue is aimed at orchestras and ensembles – once logged in, the feature is available under "My orchestra". Log in →
This edition of Gershwin’s original version of the work is available for the first time since 1942 (new edition). The version that has been performed since 1942 is Frank Campbell-Watson’s arrangement, which was not authorized by the Gershwins.

The new edition of the original version of the work, which also reverses the cuts made by Walter Damrosch to the final autograph score, is available for loan.

This edition may be performed in countries with a 70-year copyright term without the need for registration (GEMA, etc.) (the Campbell-Watson edition remains protected until 2050).

George Gershwin's symphonic poem "An American in Paris" was composed in 1928 as one of the most significant orchestral works in American musical history. The piece characteristically combines Gershwin's unique synthesis of jazz, popular music, and European art music tradition. The vibrant musical language alternates between nostalgic melodies, rhythmically distinctive jazz elements, and impressionistic tonal colors that reveal the influence of French modernism.

Particularly striking is Gershwin's orchestration, which incorporates a saxophone section and authentic Parisian car horns alongside the large standard ensemble. This instrumentation reflects both the urban American aesthetic of the 1920s and the cosmopolitan atmosphere of Paris at that time. The harmonic language moves between traditional tonality and the characteristic blue notes of jazz.

The work stands as an exemplar of Gershwin's endeavor to create a genuinely American art music that emancipated itself from European models. "An American in Paris" is considered groundbreaking for its integration of popular American musical idioms into orchestral literature and had a lasting impact on the understanding of a national American musical language in the early modern period.

„My aim here was to create a musical kaleidoscope of Paris as it appears to an American visitor... I tried to convey the impression of an American strolling through the streets of Paris and soaking up the French atmosphere.“
— George Gershwin, Interview mit Musical America, 1928
„Here's an authentic American voice grappling with Parisian sophistication while never losing sight of its own identity. Gershwin brought a fresh sound to the concert hall.“
— Olin Downes, The New York Times, Dezember 1928
Date
13. Dezember 1928
Venue
New York, Carnegie Hall
Conductor
Walter Damrosch
Orchestra
New York Philharmonic
The work was commissioned by the New York Philharmonic and premiered as part of a concert series designed to promote American composers. Gershwin had incorporated actual car horn sounds into the score, which he had collected during his stay in Paris in 1928. The premiere was a great success with audiences.

Editions available

Item no. Description Price (incl. 7% VAT)
BO-5084.00📖 Digital previewFull score
B-Note Musikverlag, 2013
€ 54,80
BO-5084.01Large conductor's score A3
Recommended for conducting
B-Note Musikverlag, 2013
€ 95,00
BO-5084.10Set of parts with strings 5.4.3.2.2
B-Note Musikverlag, 2013
€ 249,00
🎵 Digital options

Digital parts for this edition are not yet available. Please log in to request digitization.

BO-5084.21Extra Str. Vl.1€ 7,50
BO-5084.22Extra Str. Vl.2€ 7,50
BO-5084.23Extra Str. Va.€ 7,50
BO-5084.24Extra Str. Vc.€ 7,50
BO-5084.25Extra Str. Bass€ 7,50

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