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Kat. #BO-6063  ·  B-NOTE
Editions & prices
RAVEL, Joseph-Maurice

Mother Goose – Suite for orchestra

B-Note says:“Few composers have translated childhood fairy tales into music with such delicacy and harmonic sophistication.”
Opus
M.60
Composed
1908-1910
Duration
ca. 14:00 min
First publisher
1901, Durand, Paris
Instrumentation
2D1.2D1.2.2+1 / 2.0.0.0 / timp, 6 perc, cel, hp, str i
Woodwinds
Flutes2D1
Oboes2D1
Clarinets2
Bassoons2+1
Brass
Horns2
Trumpets0
Trombones0
Tuba0
Further timp Timpani · 6 perc 6 × Percussion · cel Celesta · hp Harp · str Strings
+1 = additional player on an auxiliary instrument (e.g. piccolo, cor anglais, bass clarinet, contrabassoon)
d = doubling, e.g. 2d1: one of the two players also plays the auxiliary instrument
Orchestra
Symphony orchestra
Your orchestra Available to registered customers only i Your orchestra Save your orchestra’s line-up once – by drag & drop or from a template, from chamber to full symphony orchestra. Fits – no extra players needed Nearly – additionally: 1 harp 5 extra players needed Every work page then shows at a glance whether the work fits your orchestra and which extra players you would need. Several orchestras and project line-ups are possible. The catalogue is aimed at orchestras and ensembles – once logged in, the feature is available under "My orchestra". Log in →
  • Pavane de la Belle au bois dormant
  • Petit Poucet
  • Laideronnette, Impératrice des pagodes
  • Les entretiens de la Belle et de la Bête
  • Le jardin féerique

Ravel's "Ma mère l'Oye" was originally composed as a four-hand piano suite and was later arranged for full orchestra. The work is based on classic French fairy tales by Charles Perrault and Madame d'Aulnoy and demonstrates Ravel's masterful ability to create an enchanting sound world through subtle harmonic means and sophisticated orchestration techniques. The five movements are characterized by exceptional clarity and transparency in their orchestral writing.

Standing in the tradition of French Impressionism, Ravel here combines his characteristic precision with fairy-tale poetry. The orchestration is marked by extraordinary delicacy – every color of the orchestral palette is employed with the utmost care to evoke the respective fairy-tale moods. Particularly noteworthy is Ravel's use of exotic scales and his typical modal harmony.

"Ma mère l'Oye" is considered one of the most successful examples of Ravel's art of orchestration and his ability to portray complex emotional worlds in seemingly simplest form. The work stands as exemplary of early 20th-century French music, which is distinguished by elegance, refinement, and a distinctive sonic identity.

Date
21. Januar 1912
Venue
Paris, Théâtre des Arts
Conductor
Gabriel Grovlez
The work was originally composed between 1908-1910 as a four-hand piano suite for the children of Ravel's friends Mimie and Jean Godebski. The orchestral version was completed in 1911 and premiered as a ballet. Each of the five movements depicts a fairy tale from Charles Perrault's collection of fairy tales or other French folk tales.

Editions available

Item no. Description Price (incl. 7% VAT)
BO-6063.00Full score
1901, Durand, Paris
€ 14,80
BO-6063.01Large conductor's score A3
1901, Durand, Paris
€ 44,80
BO-6063.10Set of parts with strings 5.4.3.2.2
1901, Durand, Paris
€ 120,00
🎵 Digital options

Digital parts for this edition are not yet available. Please log in to request digitization.

BO-6063.21Extra Str. Vl.1€ 4,50
BO-6063.22Extra Str. Vl.2€ 4,50
BO-6063.23Extra Str. Va.€ 4,50
BO-6063.24Extra Str. Vc.€ 4,50
BO-6063.25Extra Str. Bass€ 4,50

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