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Kat. #BO-5795  ·  B-NOTE
Editions & prices

A Somerset Rhapsody

B-Note says:“Written in 1906 amid the English folk revival, the work stands alongside Vaughan Williams and Delius as a landmark of distinctly British orchestral writing.”
Opus
op.21 / H.87
Key
E minor
Composed
1906
Duration
ca. 09:45 min
First publisher
Hawkes & Son, London, 1927
Instrumentation
2D1.2.2.2 / 4.2.3.1 / timp, perc, str i
Woodwinds
Flutes2D1
Oboes2
Clarinets2
Bassoons2
Brass
Horns4
Trumpets2
Trombones3
Tuba1
Further timp Timpani · perc Percussion · str Strings
d = doubling, e.g. 2d1: one of the two players also plays the auxiliary instrument
Orchestra
Symphony orchestra
Your orchestra Available to registered customers only i Your orchestra Save your orchestra’s line-up once – by drag & drop or from a template, from chamber to full symphony orchestra. Fits – no extra players needed Nearly – additionally: 1 harp 5 extra players needed Every work page then shows at a glance whether the work fits your orchestra and which extra players you would need. Several orchestras and project line-ups are possible. The catalogue is aimed at orchestras and ensembles – once logged in, the feature is available under "My orchestra". Log in →

Gustav Holst's "A Somerset Rhapsody" op. 21 was composed in 1906 as part of the English folk revival that inspired British composers around the turn of the century to systematically collect and artistically transform traditional folk melodies. The work belongs to Holst's early creative period, during which he engaged intensively with English folk music and began developing his distinctive personal style.

The rhapsody transforms authentic folk melodies from the county of Somerset into an atmospherically rich orchestral work. Holst's instrumentation already displays the colorfulness and sonic sophistication that would later reach full flowering in "The Planets." The warm wind colors and nuanced treatment of the strings particularly give the work its characteristically English pastoral quality.

The piece is regarded as an important building block in the development of an independent English orchestral music alongside works by Ralph Vaughan Williams and Frederick Delius. Holst's sensitive treatment of the folk song material avoids both superficial harmonization and excessive symphonic expansion, preserving the original character of the rural melodies in artful orchestral garb.

Date
April 1910
Venue
London, Queen's Hall
Conductor
Dan Godfrey
Orchestra
Bournemouth Symphony Orchestra
The work is based on four Somerset folk melodies that Holst had discovered in the Cecil Sharp collection. The premiere took place as part of a concert promoting English music, which was typical of the contemporary movement to develop a distinctive English musical voice.

Editions available

Item no. Description Price (incl. 7% VAT)
BO-5795.00Full score
Hawkes & Son, London, 1927
€ 26,80
BO-5795.01Large conductor's score A3
Hawkes & Son, London, 1927
€ 59,80
BO-5795.10Set of parts with strings 5.4.3.2.2
Hawkes & Son, London, 1927
€ 135,00
🎵 Digital options

Digital parts for this edition are not yet available. Please log in to request digitization.

BO-5795.21Extra Str. Vl.1€ 4,50
BO-5795.22Extra Str. Vl.2€ 4,50
BO-5795.23Extra Str. Va.€ 4,50
BO-5795.24Extra Str. Vc.€ 4,50
BO-5795.25Extra Str. Bass€ 4,50

Sample pages

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